Allan just accepts it. That's the whole game, really. Teleported to some gothic nightmare castle with no memory of how? Fine. Talking skeleton wants to philosophize about death while you're trying to check if the succubus in the next room has panties under that tail? Also fine. I tracked 14 distinct routes through my spreadsheet and honestly the man's complete lack of self-preservation makes him the perfect POV protagonist. You're not playing a hero. You're playing a guy who sees a glowing portal to what's probably hell and goes "huh, wonder if there's tits in there."

The AI-generated art is... look, it's inconsistent. Some renders of the knight lady have her breasts doing physics that would make a hentai artist blush, and then three scenes later her proportions completely change. Drives me nuts trying to catalog which ending branches have the "good" versions of each character. But when it works? The succubus scene where she's riding you reverse cowgirl while her wings wrap around both of you, that's the kind of composition actual artists struggle with. The voyeurism tag comes in through these weird little imps that watch from corners, which I thought was just background flavor until I realized you can interact with them for alternate scenes. Nobody explains this. The game just lets you miss it.

The multiple endings are where my inner statistician got properly obsessed. Not just "good/bad" binaries but these weird sideways conclusions where Allan becomes part of the castle, or marries a trickster demon who's been gaslighting him for three hours, or just... leaves? Through a door that wasn't there before? The humor lands somewhere between accidental and intentional, like when you can choose to flirt with a suit of armor and it actually works. Male domination shows up mostly in how Allan navigates conversations, he's weirdly confident for a guy who should be terrified, and the sex scenes reflect that, lots of positions where he's clearly steering things even with supernatural