Okay so the game is called something like Succubus Contract and right away you know what you're getting into. You die from overwork which, ha, relatable, and then this succubus shows up with a deal. Do her bidding, collect sexual energy from different universes, and you get reborn wherever you want. Simple enough premise. The whole thing runs in browser so no messing around with downloads which I appreciate because my laptop is already crying from all the... research materials.

The crossover thing is wild. One minute you're trying to figure out how to corrupt some Naruto character and the next you're in the Chainsaw Man universe and Makima is giving you that look. The game doesn't explain how any of this works and honestly I stopped caring. There's this one scene with a character from My Dress Up Darling that caught me completely off guard. Marin, I think? The transformation tag kicks in and suddenly it's not just vanilla stuff anymore. The corruption mechanics are there but they're not super deep, you just kind of pick options and things escalate. Sometimes there's pregnancy but you can avoid it which is good because I clicked something wrong once and had to stare at the screen for a minute wondering where my life went.

The 3DCG is... there. It's not winning awards but it does the job. Some of the animations are surprisingly smooth, especially during the group scenes. The male domination path is my usual go-to but I accidentally stumbled into a female domination route with a futa character and I didn't hate it? Which is confusing to think about. The succubus keeps teasing you throughout and there's this whole virginity thing if you pick certain options at the start. I wish the paranormal elements were more fleshed out but whatever, I'm not here for the lore. The anal scenes are animated better than they have any right to be and the milf characters actually look like milfs instead of just regular models with different hair. Small victories.

A dating simulator game set in a world where adult VR servers blur the lines between reality and fantasy. Immerse yourself in gameplay built on real-life and virtual life story events, navigating adult scenarios and forming relationships. Make strategic choices that influence the story’s outcome and unravel the mysteries surrounding the virtual world.

I keep clicking through the same scene with Victoria like a moron, thinking maybe this time the dialogue tree will let me not be a complete piece of shit. It doesn't. The game knows what you're here for and it's not going to pretend otherwise. My phone's been buzzing with work emails for the last twenty minutes and I'm sitting here watching this guy come back from his adoptive dad's funeral and immediately start... well. The ledger thing is actually kind of interesting, this whole club business with shady money trails, but let's be real I'm not replaying sections to piece together financial crimes.

The AI art is weirdly inconsistent. Sometimes Kayla looks like she's in her twenties, other times the rendering makes her face go all smooth like a mannequin. Maya's ass in that one scene by the pool though. That's where the budget went. You can tell. The animations are basically slideshows with some subtle movement, nothing fancy, but the corruption path with the mom has this moment where she catches you looking and the expression shift is genuinely good. Like, uncomfortable good. The kind where you remember you're supposed to be grieving your father figure and instead you're... yeah.

I spent way too long trying to unlock the voyeur scene with the younger sister. The trigger conditions are stupidly specific and the game doesn't hint at them at all. Had to dig through forum posts where people were just as confused. Something about needing to check the ledger entries in a specific order before talking to Victoria on day three. Who designs this shit. The blackmail subplot with the club's accountant goes nowhere interesting but the sex scene attached to it is one of the better animated ones so whatever. I'm not here for plot coherence. The harem route locks you out of the mystery stuff entirely which makes no sense but also I respect the commitment to making you choose between being a detective and being a degenerate. Most games just let you have both.

So the dorm mixup thing, right? Classic setup. You end up in this all female building and it’s not some cutesy accident. The game knows why you’re here. I was clicking through, half paying attention, when the first real scene with the RA happened. She’s doing a “room inspection” and finds a vibe just sitting on the desk. Doesn’t get mad. Just picks it up, gives you this look, and starts explaining how the other girls are too shy to really use the stuff they buy. That’s the whole vibe. It’s not about romance, it’s about being a catalyst for their own pent up shit.

The animation is 3DCG but it’s got that specific janky smoothness, like a Manga panel where the artist spent all their time on the boob physics and said fuck it to the background. And honestly? Respect. The big tits tag is not lying. There’s a milf character, a professor I think, who has this cheating subplot with you and the way the light hits her during the voyeurism bits is actually decent. You’re hiding in her closet once, watching her with her husband, and the game just lets you stay there. No forced interruption. Just pure, uncomfortable, hot voyeurism. My only gripe is the male domination path feels a bit tacked on compared to when the girls take charge. The female domination scenes have this teasing rhythm that the male dom stuff lacks. It’s like the writer got bored.

I got stuck for a bit trying to trigger the lesbian scene between two side characters. You have to gift specific sex toys to one of them and then basically ignore her for three in game days. Weird trigger. But when it finally popped, the oral sex animation was surprisingly fluid. Creampie finish too, which the game doesn’t shy away from. It’s a dating sim where the dates are just excuses to get clothes off. The stripping is gradual, lots of handjob teasing before any vaginal sex. My advice? Don’t sleep on the phone messages. The real dirty talk happens there, and it unlocks scenes the main dialogue tree never hints at. Just let the girls text you their freaky thoughts first.

Eric, the character of 'Big Brother', the famous Dark Silver game, is probably one of the most controversial characters. The world is divided into two parts: those who love Eric and those who hate him. Yes, of course Eric, the character who faces the young Max from 'Big Brother'!
But we start at the very beginning, right at the first meeting between Eric and Ann. And if you don't like it, you just have to give up the game. Of course, you will find a lot of characters from the original game and new ones that gradually integrate into the main story. Enjoy it!​

Paula Honeybottom. That name. It's like a joke that keeps going, and honestly, the whole game has this weird soap-opera vibe that's so over the top it circles back to being kind of brilliant. She was a star, then a housewife, then her husband Dick (yes, really) leaves her for a younger piece. Now she's a mess, and you're basically steering her life through two younger people living with her. Who are they? The game lets you pick. That's where your brain starts doing backflips because the options are... well, you can make them her kids or not. The incest tag isn't hiding, it's right there waving at you.

The corruption path is what got me. You can nudge Paula toward being this desperate, horny milf who starts peeking on the girl in the shower, or you can push her to get fit and become some kind of 42-year-old teenager again. The body actually changes based on your choices, which is a neat trick. I spent way too long trying to get her into a lesbian thing with the younger woman, just watching through a crack in the door like a creep. The voyeurism feels grimy in the best way. The dialogue is pure cheese though, like someone translated a telenovela through a porn filter. Sometimes it's hilarious, sometimes you just click through it to get to the next scene where she's touching herself while thinking about the mailman or whatever.

I wish the multiple endings were more... multiple? It feels like you're on rails toward a few big moments and the rest is just flavor. But then you get a scene where Paula is corrupting the boy while the girl watches, and you forget about structure entirely. The 3D models are that specific kind of janky where the tits have their own gravitational field. It's not pretty but it's got this earnest, horny energy that makes you keep clicking. The gilf potential is there too if you squint, some side character who's way too involved. It's a mess. A sticky, ridiculous mess that knows exactly what it is.

The whole thing's a mess of gorgeous celebrity dudes who might be murderers, and you're just some guy who thought he was getting a chill summer. Your bestie works at this huge film studio, right? She brings you in and suddenly people are dead, or secrets are leaking, and everyone's got that plastic smile that doesn't reach their eyes. The 2DCG art has this unpolished edge, like someone drew it on their tablet after three Red Bulls and a bad breakup, but honestly that jankiness makes the characters feel more real. Especially when clothes start coming off. The corruption arc for your protag isn't some edgelord fantasy, it's more like watching a sweet dude slowly realize he can weaponize his ass for information.

There's this producer, bald, always sweating, I thought he'd be a romance option because I'm stupid. He's not.

The gay content isn't coy or hidden behind ten euphemisms. When you get a scene with the leading man, the one with the jawline that could cut glass, it's explicit, messy, full of questionable lube choices and power dynamics that'd make a therapist quit. The multiple endings mean you can end up utterly ruined, emotionally and literally, or find something weirdly tender with a guy who spent half the game gaslighting you. One route I found by accident involved zero sex but so much pathetic eye contact I had to close my browser for a bit.

Game mechanics are basic. Click, read, choose, regret. Sometimes you'll pick a dialog option thinking it's flirty and instead your character outs someone at a red carpet party and everything goes to shit. No undo. The dating sim parts are standard fare, gift-giving like items at a gas station, but the writing in the bad routes has this blunt cruelty that caught me off guard. I'm still mad about the sound design by the way, or lack of it. Nothing. Just my own breathing and the click of my mouse, which made the corruption bits way more uncomfortable than any moaning track would have. Anyway the ending where you become a kept boy for a closeted director made me laugh out loud then feel bad about laughing.

So the dog just shows up. No explanation. You come home and there's this thing on your couch, some shaggy mystery breed that smells like lavender and stares at you like it knows every shitty thing you've ever done. And the game never tells you why. Never even hints. That's the kind of thing that makes me keep clicking through this mess.

The whole setup is ridiculous. Guy named Sora runs away from his hometown because of some heavy past, gets dragged back when his sister gets hurt, and suddenly he's teaching at an all girls academy. Thirteen students. All of them want him. It's the most contrived harem bullshit and I was ready to hate it. But then you're walking through the halls looking for the one male bathroom and the screen does this thing where the text crawls slower than normal, like the game itself is reluctant to let you read it. And there's this girl in the library who won't look at you directly but her dialogue options are all wrong, all slightly threatening in ways that don't match her sprite's soft expression.

The psychological horror tag is doing a lot of work here. It's not jumpscares. It's the way conversations loop back to things you didn't say. The way the sky in the background art sometimes looks too bright, like a photo overexposed on purpose. I spent twenty minutes in one scene just clicking through the same dialogue tree because the choices kept rearranging themselves. Maybe a bug. Maybe not.

The sex scenes are fine. Standard visual novel stuff, decent CGs, the usual positions. But they feel weirdly sad. Like everyone's going through motions they don't understand. One of the girls cries after and the text just says "she smiled" and moves on. No acknowledgment. That stuck with me more than any of the actual erotic content.

I keep thinking about the parasite thing from the description. It's not a monster. It's memory. The way the past just latches on and you can't shake it. This game gets that. It's messy and unfinished and half the routes probably don't even work right but I can't stop thinking about that fucking dog.

I keep thinking about the school uniform. Not in a weird way, but like, it's still there, right? The whole world's gone to shit, everyone over 19 just poof, vanished, and now kids are throwing fireballs and reading minds and forming these little survivalist gangs in the hallways. But the blazer and tie remain. There's this one scene early on where you, playing as this guy just trying to process the apocalypse, are in a half-destroyed classroom. A girl you used to share notes with has developed some kind of kinetic push ability. She's teasing you, not in a friendly way, more like a cat with a stunned mouse, and she uses her power to just... undo your belt. From across the room. The animation is janky, deliberately so, like a rotoscoped dream that forgot to render half the frames, and it makes the whole thing feel more real and grimy. The sound of the buckle clinking against the dusty floor is way too loud in the silence. That's the kind of detail that gets me.

Then you're in the gymnasium and it's a full-on Lord of the Flies situation. The "masterminds" behind this whole event are broadcasting rules over the crackly PA system, and one of them is basically "might makes right." The groping mechanics aren't just a side thing, they're a core part of how you navigate power. You can use your own developing superpower, some kind of localized telekinetic grip, to assert dominance or just to survive. I spent a stupid amount of time on a character named Yumi, who has these massive, you know, and an attitude that could strip paint. The game lets you just... focus. On the physics. The way her chest moves when she's pinned against a locker, the fabric straining. It's not sexy in a polished way. It's desperate and uncomfortable and that's why it works. The romance path with her is buried under layers of dystopian survival, and a genuine connection feels like a glitch in the system, a moment of quiet that the game's violent logic shouldn't allow. I wish the text was proofread better, some of the dialogue feels like it went through a blender, but honestly that just adds to the whole "parallel world falling apart" vibe. It won't be fixed, and that's almost perfect.